supported by 62 fans who also own “Birth of the Economic Hit Man”
The only record that brings me into its emotional space every time no matter where I am. It's heavy in that way, a gravitational force. I can bear life's pressures with this pressure bearing down on me. Benjamin Morgan
supported by 59 fans who also own “Birth of the Economic Hit Man”
Probably the most balanced and well-executed genre blending of any of Deafheaven's records. I would say this is the most accessible record in their catalogue. victor-nightingale
supported by 58 fans who also own “Birth of the Economic Hit Man”
One of this band's best albums, and that's saying something when you consider how solid much of Converge's discography is. Their hardcore punk traits really shine on tracks like "Dark Horse" and "Dead Beat", while the melodic side of the band really shines on "Cruel Bloom" and "Wretched World". honeycombguy
Three renditions of “Snowflakes in July” explore all aspects of the song’s stunning beauty, including a mind-blowing 17-minute live version. Bandcamp New & Notable Aug 15, 2020
supported by 57 fans who also own “Birth of the Economic Hit Man”
Reign In Blood, Christ The Album, Violent Restitution, SCUM, Damaged, To Detroit From Addiction... and Jane Doe. Classics in their extremity, they spawn many imitators, but no comparison except to each other. They create a tier unto themselves.
A baptism in Fire. Brian Parker